Derek Liddington
Group of Objects Arranged by the Artist While Considering the Aesthetic and Compositional Arguments of Minimalism, Formalism, Postmodernism and Conceptual Art Group of Objects Arranged by the Artist While Considering the Aesthetic and Compositional Arguments of Minimalism, Formalism, Postmodernism and Conceptual Art Group of Objects Arranged by the Artist While Considering the Aesthetic and Compositional Arguments of Minimalism, Formalism, Postmodernism and Conceptual Art Group of Objects Arranged by the Artist While Considering the Aesthetic and Compositional Arguments of Minimalism, Formalism, Postmodernism and Conceptual Art Group of Objects Arranged by the Artist While Considering the Aesthetic and Compositional Arguments of Minimalism, Formalism, Postmodernism and Conceptual Art Group of Objects Arranged by the Artist While Considering the Aesthetic and Compositional Arguments of Minimalism, Formalism, Postmodernism and Conceptual Art Group of Objects Arranged by the Artist While Considering the Aesthetic and Compositional Arguments of Minimalism, Formalism, Postmodernism and Conceptual Art
A Group of Objects Arranged by the Artist While Considering the Aesthetic and Compositional Arguments of Minimalism, Formalism, Postmodernism and Conceptual Art
Realized through drawing, sculpture, assemblage, set-design, installation and costume-design these multi-faceted projects reveal conflicting and shifting aesthetics through a hodge-podge of humor, conflict and satire. I endlessly read Foucault, watch youtube and listen to Bruce Springsteen all the while searching for moments of repetition and sampling: David Bowie writes a song for Andy Warhol on his album Hunky Dory, Bruce Springsteen wears an Elvis Presley fan pin for the Born to Run promotional photo shoot, Jay Z pours paint on Damien Hirst’s diamond skull For the Love of God in the music video for On to the Next One.

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